PRESS

October 2016, Augsburger Allgemeine, from the article: Concert: Singing and listening together

 

 

The initial phase of the concert was performed by the strings with the Concerto grosso “Palladio” by Karl Jenkins. The first movement of the piece, the Allegretto, is known from an advertisement spot. Conductor Wolfgang Reß chose a not too quick pace, so that the listeners were able to fully enjoy the music.

 

In the second movement, the Largo, the two solo violinists rose slowly from the string ensemble. The elegically sounding theme which Franziska Strohmayr interpreted with

 

great sensitivity was answered by a consoling note in Sandro Roy’s impressing performance. Both soli merged into a joint performance full of confidence which continued into the third movement, the Vivace.

 

 

 

 

 


March 2016, Südwest Presse, from the article “An overall homage to Wilfried Hiller”

 

In the technically exigent solo pieces that avoid neither easy melodies nor harmonies, but rarely sound conventionally tonal, the young Salzburg violinist Franziska Strohmayr showed her brilliance with virtuous freshness, perception and reflected depth.

 

 

 

March 2016, www.klassikinfo.de from the article “Devotion to man”

 

 

After that young violinist Franziska Strohmayr impressed by her exceptionally suggestive interpretation of the Agnes Bernauer Umspielungen for violin solo – a paraphrase about themes from Orff’s Bernauerin, in which the performer – as Wildfried Hiller told us – from time to time has to replace the whole drums apparatus.

 

 

 

 

 

 

 


October 2013, Augsburger Allgemeine, from the article “Breathtaking sound experience”

 

 

As star of the concert, brilliantly performed soloist Franziska Strohmayr who proved to be a passionate soloist in Vivaldi’s L’Autunno (Autumn).

 

In rapt silence the audience experienced the moods of that season, from falling leaves to stormy winds, that the artist made the strings of her violin express with dreamlike skill and wonderful sound and feeling.

 

 

 

 

February 2013, Stadtberger Bote, from the article “Where speech ends music begins”

 

 

Violinist Franziska Strohmayr, music student in London at the moment – also multiple prize winner – carried away the audience with Camille Saint Saens’ Rondo Capriccioso, wonderfully played, with great sensitivity and technically brilliant. With her warm, soulful sound she succeeded in matching flawless technique with ardent feeling. Camille Saint Saens would have applauded.